Showing posts with label Sara Palacios. Show all posts
Showing posts with label Sara Palacios. Show all posts

Wednesday, June 27, 2012

Pura Belpré Awards 2012

If you're already considering your must-do for next year's ALA conference, the Belpré Award ceremony is definitely something not to be missed. The Grand Ballroom of the Disneyland Hotel was a place filled with a joy and a passion that I find hard to imagine happening anywhere else during the conference.


The program


Award winners (L to R): Rafael Lopez, Xavier Garza, Duncan Tonatiuh, Guadalupe Garcia McCall, Margarita Engle (not pictured is Sara Palacios who was not in attendance)


I took a few short videos with my phone. Is the Belpré ceremony filmed or otherwise recorded? Because it really should be!


Sandra Rios Balderrama reciting her poem "The Pura Belpré Award: Remembering Our Roots"


A little snippet of Guadalupe Garcia McCall's speech. I love that she gave a shout-out to all the other winners in her speech. Later she talked about how she came to write the story of Under the Mesquite, and there wasn't a dry eye in the house.


The amazing young dancers from the Ballet Folklórico Renacimiento. 
These kids brought out the Mexican in everyone in the room!

Tuesday, January 31, 2012

New Day Rising! Pura Belpre 2012

Bright and early this morning the American Library Association announced its 2012 youth media award winners. So many great books for kids. And yes, the anticipation of hearing those last two awards--the Newbery and the Caldecott--put my morning run on hold until it was all over. But most exciting of all was, of course, the Pura Belpre announcements!

The Illustrator Award went to Duncan Tonatiuh for Diego Rivera: His World and Ours

Illustrator honors went to The Cazuela That the Farm Maiden Stirred illustrated by Rafael Lopez and written by Samantha R. Vamos, and Marisol McDonald Doesn't Match / Marisol McDonald No Combina illustrated by Sara Palacios and written by Monica Brown.


I don't want to say that I knew it, but I knew it. When I read Guadalupe Garcia McCall's Under the Mesquite I immediately thought Pura Belpre winner. And so it is!


The Author Award went to Guadalupe Garcia McCall for Under the Mesquite

The Pura Belpre committee awarded author honors to Margarita Engle for Hurricane Dancers: The First Caribbean Pirate Shipwreck, and to Xavier Garza for Maximillian and the Mystery of the Guardian Angel: A Bilingual Lucha Libre Thriller. I loved Garza's Lucha Libre: The Man in the Silver Mask and having grown up watching Mil Mascaras movies and a HUGE professional wrestling fan I am definitely looking forward to reading his latest book.

 

Saturday, October 8, 2011

Marisol McDonald Doesn't Match

Marisol McDonald Doesn’t Match / Marisol McDonald No Combina. Written by Monica Brown; Illustrated by Sara Palacios; Spanish Translation by Adriana Dominguez; San Francisco, CA: Children’s Book Press, 2011. Ages 4 - 8

Marisol McDonald doesn’t match! Her clothes don’t match. Her peanut butter and jelly burritos don’t match. And her brown skin and red hair certainly don’t match. Despite the fact that her lack of coordination is repeatedly pointed out to her, Marisol is happy with her mismatched lifestyle. That is, until, a classmate poses the ultimate challenge. Determined to prove that she can match, Marisol spends a day attempting to do so only to find herself miserable. 

In Marisol McDonald Doesn’t Match, Brown and Palacios combine their talents to tell a story that is, on the surface, about a little girl coming to terms with not conforming to expectations. On a deeper level, the book sheds light on the issues of identity and belonging biracial children often struggle with. Brown, the daughter of a Peruvian mother and a North American father who describes herself as a “mestiza Peruvian American of European, Jewish, and Amerindian heritage” draws from her own experiences as a multiracial child to write Marisol’s story.

Palacios’ brightly colored mixed-media illustrations, a combination of mediums that include collage, color pencils, pencil, markers and gouache, complement Brown’s story, but also serve to capture the diversity of Marisol’s world. The signs and notes posted in Marisol’s home and community are in both English and Spanish. Her classmates are white, African-American and Asian. Marisol’s teacher Ms. Apple, who with green eyes and brown skin appears to be biracial as well, is the individual who reaffirms and encourages the little girl to be herself. Palacios, a native of Mexico City, manages to perfectly convey the blandness that can come from trying to fit in with her illustration of Marisol standing in front of her mirror before heading off to school. Dressed from head to toe in orange that matches her hair, Marisol appears washed out, easily blending into the backgrounds of the illustrations that follow her day. 

Like Marisol, the book is also bilingual. The story is written in English with a Spanish translation that equally shares space on the pages. Marisol’s devil-may-care attitude and self-confidence will empower children who do not fit into cookie cutter molds because of their multiracial backgrounds, and will also appeal to any child who is beginning to develop an awareness of societal pressures to fit in. Her combination of dots, stripes and patterned Peruvian chullo hats is only a scratch at the surface of Marisol’s colorful story. While it appears that Marisol doesn’t match she is, in fact, representative of what American society is beginning to resemble. Marisol McDonald Doesn’t Match is a celebration of our increasingly colorful and less homogeneous nation.  

Kirkus Star for "books of remarkable merit"
Junior Library Guild Selection, Fall 2011